The present anthology contains the articles of the following academicians and researchers; Dr. R. Baranwal’s “The Feminine Sensibility in Shashi Deshpande’s Novels”, P. Gupta’s “Exploring and Situating the Discourse of Gender in Indian Writing in English”, Sanju Jhajharia’s “Varied Types of Marginalization: A Critical Study of Ismat Chughtai’s Dust of The Carvan and In The Name of Those Married Women”, Dr. Shruti Tripathi’s “The Domestic front in the Poetry of Charlotte Mew- A Cameo Cut in Steel”, Prof. L.U.B. Pandey’s “Reconsidering J.P. Sartre’s and Anita Desai’s Art of Characterisation”, Sruthi V S’ “Thematic Comparison of the ‘Mad Woman’ from the Novel Jane Eyre and the Short Story ‘The Yellow Wallpaper’”, Prof. Prajakta S. Raut’s “ ...And The Twins do meet finally!: Image of India Reflected in English Poetry in the Wake of East-West Encounter”, Tanbir Shahnawaz’s “A Poignant Insight into Alienation, Suffering and Hope out of corona anxieties: A Critical Study of Katherine Anne Porter’s Pale Horse, Pale Rider”, Dr. A. Rana’s “The Spectrum of Desire: Spiritual Suffering in R.K. Narayan’s The Dark Room and The Bachelor of Arts”, Dr. S. Tripathi’s “Indian Ethos in Sarojini Naidu’s Poetry”, Dr. G. S. Dwivedi's "Decoding Mind and Heart of Kamala Das Against Patriarchal Stratification", Dr. B. K.'s "Realistic Portrayal of Social Realities in Mulk Raj Anand's Novel, Untouchable" and Dr. U. K. Soni's "Rural Poverty and Cultural Values in Kamala Markandaya's Nectar in a Sieve".
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